The recipe this week, as with most of my late-summer posts, is inspired by holidays in France. In addition to the usual holiday activities, this year we also enjoyed WiFi where we were staying, and I was able to binge-watch many episodes of the French version of Britain’s Best Bakery.
In true Bake Off style, each bakery is graded across three rounds: initial visit and tastings, specialist round, and group challenge – where the 3 (later dropped to just 2) bakeries in the region make a recipe set by the judges.
The most recent series has emphasized bread for the second round, so the bakeries must present their best-seller or their most favourite of their bread range, but in earlier seasons, there was no such stipulation, and bakeries could put forward whichever of their products they liked.
One of the bakeries in the Aquitaine Nord region put forward these pastries which really caught my eye as being both simple yet flavoursome. The contrast between the crisp pastry and the soft, moist filling, together with the obvious enjoyment of the two judges, struck me as so delicious and so unusual, I decided to try them myself. Helpfully, the programs also show the bakeries making these recipes, although omitting for the most part any details such as weights, oven timings and even the full list of ingredients. Nevertheless, I managed to piece together this recipe and here we are.
Jesuits get their name from their triangular form, resembling the headgear worn by Jesuit priests in the 17th century. There doesn’t seem to be any further link to the priesthood at all, so we can move swiftly on to their structure. A orange-flavoured almond sponge, or frangipane, is baked between two sheets of puff pastry. Once cooked and cooled, the pastry is cut into triangles and coated with Italian meringue, and briefly returned to the oven to bake until lightly tinted brown.
Apart from being delicious, these are incredibly simple to make. Like the bakery in the program, I initially made a large ‘tray bake’ and then cut it into triangles, but you could also make individual-sized portions. The frangipane is easily customised to any flavouring you like, and the meringue coating is not compulsory – you can just spread a layer on top if you prefer (it’d be a lot less sticky to do, too). Several versions ‘out there’ have only a simple water glaze if meringue isn’t a favourite. You could even omit it altogether: the simple, crisp, unadorned, butter pastry is a great contrast to the soft, moist, orangey, almond filling. If you think that this version sounds more your thing, I recommend making individual pastries – any shape, although I find (Mille-feuille/custard slice sized) rectangles both easy and most appealing.
The classic topping is almonds, flaked or chopped, but for the large bake, I was out of both and so opted for nibbed sugar, which added both sparkle and crunch. The plain pastries can be adorned with a brush of syrup and some flaked almonds for the last 10 minutes of baking and then finished off with a dusting of icing sugar, or indeed nothing at all.
Variation: Ground hazelnuts, if you can find them, make a fantastic pairing with candied orange.
Obviously, you could hand-make your puff pastry, using only the very best ingredients and taking two days to do so, but for speed, practicality, and the unknown quality of a new recipe, a roll of ready-made is the sensible choice. Splash out on an all-butter version. Go wild.
2 sheets puff pastry
100g unsalted butter, softened
100g caster sugar
2 large eggs
100g ground almonds
50g candied orange peel, chopped fine
grated zest of 2 oranges
2-3tbs orange liqueur (optional)
To finish – all are optional
sugar syrup – I used the syrup from the candied orange peel.
flaked or chopped almonds for sprinkling
icing sugar to dust
- Preheat the oven to 200°C, 180°C Fan.
- Dock the pastry sheets with a pastry docker or use the tines of a fork to poke holes all over.
- Whisk the butter until light and fluffy. Add the sugar and beat again until the mixture is pale and light.
- Add the eggs, one by one, ensuring the first is thoroughly incorporated before adding the second.
- When the eggs are incorporated, fold in the almonds, orange peel and zest, and liqueur if using.
- Transfer the mixture to a piping bag fitted with 1 plain, 2cm tip.
- Lay one of the pastry sheets onto a baking sheet on a piece of parchment.
- Pipe the mixture evenly onto the pastry in a rectangle, leaving a border of at least 3cm around the edges.
- Brush the edges with water and lay the second sheet of pastry over the filling. Press the edges firmly, trying to trap as little air as possible.
- Bake for 35-40 minutes, until the pastry is crisp and golden. NB For individual pastries, you need bake for only 30 minutes, brushing with syrup and sprinkling them with flaked almonds for the last 10 minutes.
- Cool on a wire rack.
- When just warm, cut off the excess pastry from around the edges and then divide the filled pastry into triangles. The size is entirely up to you. You can either enjoy them as is, or add the meringue and almond coating.
- Make an Italian meringue. My recipe is here.
- Lay a fresh piece of parchment onto a baking sheet.
- Coat the sides and the top of each pastry with a layer of meringue, no more than 1cm thick.
- Lay the coated pastry onto the parchment.
- When all pastries are coated, sprinkle them with the chopped/flaked almonds and bake for 10 minutes until the meringue is lightly browned.
- Enjoy warm, or allow to cool.
- If covered with meringue, these are best on the day they are baked. Unadorned pastries can be enjoyed for 2-3 days. Crisp them up by warming gently in a low oven.
After six years I decided to revisit the Apple Rose Tarts I created for Season 2 of The Great British Bake Off.
These are essentially the same tarts, but with a bit of a make-over for the apple decoration. Looking less like roses, but still with a floral semblance, these variations are formed from a swirl of poached apple slices on top of a set apple compote.
You can, of course, use the filling from the originals, but this simplified variation means that these tarts can be prepped in advance, and then assembled just before serving, something that was possible, but rather tricky, with the rose tarts.
I also experimented with using puff pastry. The above shells were created by draping puff pastry over the back of a star-shaped tart tin. The shell on the left was made from pastry cut with a six-petalled cutter. The form on the right was made using a large circular piece of pastry. In order to ensure they kept their shapes, a second tin ‘sandwiched’ the pastry inside, and a wire rack place on top to hold them in place. They were baked at 220°C, 200°C Fan for 15 minutes.
600g Bramley apples
200g caster sugar
juice of 1 lemon
sweet shortcrust pastry, cornflour pastry or ready-rolled puff pastry
red-skinned dessert apples as required
1 litre apple juice
250g caster sugar
red food colouring (optional)
- Use the pastry to line and fully bake whichever tartlet shells you prefer.
- Allow to cool on a wire rack.
- When cooled, if not using immediately, store in an airtight container until required.
- Peel, core and chop the Bramley apples.
- Put them in a saucepan with the water and lemon juice. Cover and simmer over medium low heat until they become fluffy.
- Stir briskly to remove any lumps, then add the sugar and stir until dissolved.
- Continue to simmer until the mixture has thickened. Set aside.
- Prepare the dessert apples. If you have a mandolin that can cut 2mm slices, core the apples and slice them with that. You will need to cut these slices in half before using them. Otherwise, cut the apples in half from top to bottom, remove the core and cut into exceedingly thin, semicircular slices, 2mm if possible.
- Pour the apple juice into a saucepan and submerge the apple slices as you cut them , to prevent discolouration.
- Simmer the apple slices gently for 10 minutes or until tender – You need the apples to be soft enough so that you can roll them, but not so soft as to fall apart.
- Lift the apple slices from the syrup with a slotted spoon and allow to drain/cool in a sieve.
- When cool enough to handle, lay out the apple slices as follows.
- The slices should be laid exceedingly close together, so there is only about 3mm of each slice visible.
- The overall length of the strip of apple slices needs to be at least 15cm in order to be curled round into a form that will sit inside a single, cupcake-sized pastry shell.
- Cover the strips of apple slices until required.
- Add the sugar to the apple juice and stir until dissolved.
- Simmer over medium heat, until the juice has thickened into a syrup.
- Add a little red gel food colouring to tint the syrup, if liked.
- To assemble the tarts:
- Warm the apple compote and spoon 1-2 tablespoons into each pastry case. Allow to cool. As it cools, it will firm up and give support to the apple decoration.
- For each strip of apple slices:
- Lift the strip from the board and stand it on the flat base of the slices.
- Curl one end of the strip around in a circle until it meets the other end of the strip.
- Check whether the form is small enough to fit into the pastry shell. If not, ease the slices round into a tighter circle.
- Place the curled slices into the pastry shell. Keep a hold of the form with one hand until you’re sure it has all fitted inside. A cocktail stick is handy here for tucking in the ends of any sticking-out slices.
- When everything is tucked inside, you can stop holding the form, as the pastry case will support it.
- Use the cocktail stick, if necessary, to tweak the apple slices into place. I particularly like the subtle variations in the finished patterns, depending on the number and curl of the apple slices – see below.
- Brush the apple slices generously with the apple syrup, and serve.
In case you missed it:
This week on DejaFood.uk: Jane Newton’s mini chicken & bacon pies!
In food, there’s nothing new under the sun. It’s really difficult to be original. Whatever blinding flash of inspiration you think you’ve had, I promise you that it has been done before; usually better, sometimes worse. If it hasn’t been done before, then that’s usually a good indication that it’s not such a great idea (i.e. it was done before and discarded because it wasn’t fab at all). If it was fab, we’d have heard about it in the last 5000 years. This goes for top-level chefs as well as for the humblest baker.
That being said, there’s nothing wrong with tweaking a recipe and putting your own spin on it. Tweak it enough and then you can claim it as your own (and acknowledge the inspirational recipe, but it’s surprising how many people seem to forget this bit).
Example: Ian Dowding and the invention of Banoffi Pie. Except, of course, he didn’t invent it, he readily admits that it evolved by adding bananas to a recipe for Blum’s Coffee Toffee Pie brought back from the US by Russell the chef, with whom Dowding worked in a restaurant in Berkshire. Read all about it here.
And so to this week’s recipe. I recently watched an episode of a food show from the US and one of the items shown was a Goat’s Cheese and Blueberry Pie with fresh basil. I liked the unusual combination and re-watched the clip several times in order to jot down what looked like the quantities/ingredients. It took a couple of tries to get the sweetness and texture right, and my overall verdict was: No. The goats cheese was odd. The tart lacked zing. The fresh blueberries were OK, but had no pop of flavour, and so I set my notes aside.
Until I had a brain wave a couple of weeks ago with: blackcurrants! I resurrected my notes and swapped in blackcurrants for blueberries and it was amazing (she said modestly). The fresh basil is very reminiscent of the aroma of blackcurrant leaves and the amazingly tart pop of flavour from the berries was just what had been missing from the original. After guarded compliments from friends after the first attempt, I swapped the goats cheese for cream cheese and found I didn’t miss the lack of tang at all. – it was creamy, but not so dense as to push it into cheesecake territory (although it’s close!). Disliking unnecessary waste, the surplus egg-white from the filling ended up in the topping, along with butter instead of margarine, which all made for a crunchy variation to the original. Finally, there was a need to balance out the basil: the boldness of the blackcurrant flavour meant a larger quantity was needed in order for it not to be lost in the background whilst avoiding being too heavy handed and tipping it over into a borderline savoury tart. Luckily, the perfect amount was almost exactly the quantity of leaves you get in a 28g pack of fresh basil in the supermarkets.
Interesting Fact: I read recently that blackcurrant is, for the most part, an unknown flavour in the US, due to a ban in the early 20th century when it was thought to harbour a disease harmful to the logging industry. All can say is: you’re missing out, my friends across the water, and it’s high time you invested in blackcurrant bushes in order to enjoy all the wonderful things you can do with them. Exhibit A: this pie! If you’re lucky, you will be abe to find frozen berries in your supermarkets and farm shops until your bushes bear fruit themselves.
So yes, I did not conjure this fabulous tart up out of thin air, I evolved it from something else. That doesn’t mean it’s not fabulous and you should all rush out and get some blackcurrants immediately. If nothing else, for the vitamin C, doncherknow.
“But where!? It’s March!” I hear you wail. If you’re not lucky enough to have some in your own freezer from the bounty of last summer, then (in the UK) some supermarkets have them in the frozen fruit section. You can also find them in farm shops that have large chest freezers, alongside other berries and fruits in a kind of scoop-your-own setup.
I’ve opted for a pastry crust, but you could just as easily use a cheesecake-like, biscuit-and-butter crumb instead. Fresh basil is a must – don’t even think of trying to fudge it with dried.
It goes without saying – but I shall say it anyway – that, obviously, you can sub back in all the stuff I took out and try it for yourselves and make it YOUR own. 😀
Blackcurrant and Basil Tart
1 x 20cm shortcrust pastry case, blind baked (or biscuit base of your choice)
300g cream cheese, room temperature
1 large egg
1 large yolk
60g caster sugar
15g fresh basil leaves, shred finely (from a 28g bunch/pack)
300g blackcurrants – frozen is fine
50g caster sugar
1 large egg white
50g flaked almonds
50g melted butter – cooled
- Preheat the oven to 180°C, 160°C Fan.
- Whisk the cheese until smooth, then add the egg, yolk, sugar and cornflour and mix thoroughly.
- Stir through the shredded basil and the blackcurrants. The blackcurrants can be used frozen, just make sure they’re not all stuck together in a big lump.
- Pour the filling into the prepared tart case.
- Whisk the sugar and egg-white together, until frothy, then stir through the almonds. Add the cooled butter and mix thoroughly.
- Pour the topping evenly over the filling.
- Bake for 35-40 minutes until almost set, and the topping is golden brown. Allow to cool, then chill thoroughly before serving.
In case you missed it:
This week on DejaFood.uk: A super quick, fruity Soda Cake from 1835
Back in January 2015, I introduce you all to Drowned Doughnuts, a wonderfully light and flavoursome dough that had the unusual method of being proved in water (hence the ‘drowned’). At the time I mentioned that I would be returning to the dough at some point, for use in another recipe, and so here we are.
Yes, I know it’s been two years, but I’m rather bad (or should I say, very good) at getting distracted.
Drowned fruit tart is deliciously adaptable to whatever fruit you have to hand – the usual filling is stewed apples, but I happened to have some beautifully coral-coloured, stewed Warden pears in the freezer, so went with those. The quantity can be dictated either by what you have to hand or by the shape of your tin for, as can be seen in the picture, any excess dough can be made into the aforementioned doughnuts. With a small addendum to the original recipe.
Anecdote Deviation: I like to think that I know a bit about a few bits of baking, here and there, and can usually deduce how something has been put together, and frequently the general method. There’s a pub nearby that we like to eat at, and their bread game is ON POINT! The pizzas are hand thrown and baked to order, and each table is brought a basket of freshly-baked rolls as an appetiser. Nice! My daughter is obsessed with these rolls, and secretly so was I, although I played it cool.
These rolls are the softest, most pillowy balls of fresh-baked dough I have ever eaten. And, frustratingly, I couldn’t work out how this was achieved. My understanding of the best way of achieving soft rolls has been tweaked over the years as I have picked up snippets of information here and there, and until recently consisted of: mix dough with half milk, half water, brush baked rolls with milk when they come out of the oven and allow to cool in a clean cloth, thereby trapping the steam and softening the crust. Even crisp mixed-with-water-only rolls will soften after such treatment. What was nagging at me was the fact that the pub rolls were obviously baked to order and brought to the table hot from the oven and yet they were so soft, so tender – I couldn’t work out how it was done.
Each visit would be followed by experimentation of one or two batches only to get the thumbs down from my daughter, so on a recent visit I decided to be BRAZEN and when the server approached the table with the (now legendary) basket of hot rolls and the question “Can I get you anything to start?” I looked him straight in the eye and said “The recipe for these rolls, please!” I know. Shameless – but I was desperate!
Bless his heart, he was back 10 minutes later with a hand-written recipe from the chef. Eagerly I scanned the recipe for the magic touch. Did he add cream? Maybe the rolls contained lard, or margarine. Oooh! Oooh! Could it be milk powder!? No. The one thing that differed from a perfectly ordinary bread dough recipe, the magical touch that set these rolls apart from all other efforts was – the rolls were brushed with melted butter before baking.
I must confess to being more than a little skeptical – I was familiar with the technique of brushing hot loaves with butter AFTER baking, sure (popular in Russia, Ukraine, etc) – it makes loaves beautifully glossy and burnished – but before? Nevertheless I was prepared to give it a go and brushed over melted-but-cooled butter on the batch I whipped up the very next day. And they were perfect. I couldn’t get over how perfect they were, how pillowy, billowy soft. My daughter was overjoyed.
Which is why, when making the leftover dough in this recipe into balls (as opposed to cutting them out originally), I brushed them with melted butter before baking. They turned out fantastically soft (*points at photo* See! SEE how lovely they look!) and, tossed in caster sugar, hot from the oven, about as close to a guilt-free doughnut as you can get.
All of which leads me ramblingly to this point: you’re never too old a dog to learn a new trick.
The tart. The extra little touch for this tart, aside from using sweet, vanilla-scented dough in place of pastry, is the treatment after it emerges from the oven. You spoon – or in my case pipe (fewer stray splodges) – sweetened sour cream/creme fraiche between the dough strands, directly onto the fruit filling and allow it to cool. The cream slowly thickens to a cheesecake-like texture which goes fantastically well with the sharp, fruit filling and the sweet dough. I also brushed the edges of the tart with melted butter, to keep them soft. I used clarified butter, for a more even colour (milk solids might bake as darker spots).
And finally, you don’t HAVE to let the dough rise in water, it will still rise just fine in a bowl.
Drowned Fruit Tart
1 batch of Drowned Doughnuts dough, after the first rise
500g-1kg stewed fruit – cooled
300ml sour cream/low fat creme fraiche
50g-100g sugar to taste
clarified butter, melted and cooled
caster sugar (for the doughnuts)
- Grease and line a baking tin with parchment paper. Make sure it is deep enough to contain a decent layer of fruit filling. I used 500g of pears for the tart in the photo – on reflection, 1kg would have been even better.
- Roll out the risen dough to a thickness of 1-1.5cm. It will obviously rise during proving and baking, so you don’t want to start too thick and then end up with something less-than dainty emerging from the oven.
- Line the tin with the dough and allow any excess dough to drape over the sides.
- Spread in your fruit filling evenly.
- Trim the excess dough and re-roll the trimmings to make lattice strips. I opted for thin strips, twisted into ‘barley-sugar’ shapes.
- Lay the strips diagonally across the tart to form a diamond lattice. Dampen the edges of the dough and fold them down and over the ends of the lattice strips to keep them in place. Crimp the edges of the tart neatly.
- Preheat the oven to 180°C, 160°C Fan.
- Brush the edges of the tart and the lattice strips with melted, cooled butter. Allow to prove while the oven heats up.
- Bake until risen and golden. Depending on the size of your tart, this will be between 25-40 minutes.
- While the tart is baking, divide any remaining dough into 30g pieces and roll into balls. Set onto a lined baking sheet to prove.
- Mix sugar into the cream/creme fraiche to taste. I usually under-sweeten with just 50-60g of sugar. Spoon into a piping bag if liked.
- When the tart is baked, remove from the oven and fill the lattice spaces with the sweetened cream. Set aside to cool for 3-4 hours. Serve at room temperature.
- For the doughnuts: When risen, brush with cooled, melted butter and bake for around 15 minutes. Whilst hot, toss in caster sugar and set onto a wire rack to cool – or consume immediately, your call.
I’d like to introduce you to a rather fabulous multi-purpose ingredient, developed and created in the L’Ecole du Grand Chocolate Valrhona test kitchens: Namelaka. It was actually developed several years ago, but seems not to have caused much of a ripple since then, with the exception of in Italy, where it appears to be very popular.
It’s name (pronounced namma-lakka) comes from the Japanese for creamy/smooth and it is a fabulous cross between a ganache and a crème pâtissière. It has the smoothness of a pastry cream, but the richness of a ganache and can boast a whole host of uses.
As you can see from the photo, it holds its shape beautifully when piped, which makes it perfect for tart and pastry fillings and decoration. It is especially fine in filling choux pastry items such as eclairs, profiteroles, cream puffs and croquembouche. You can use it to decorate the tops of cakes or to sandwich them together, both large and small, and it can also be served as a dessert itself, in small, ladylike portions, with some granola or crushed biscuits adding texture.
One of the great aspects of namelaka is the possibility of adding additional flavours to complement the finished cream by infusing the milk before use. What you use is limited only by your imagination: the zest of any of the numerous citrus fruits, instant coffee granules, freeze-fried fruit powders, teas, freshly ground spices, tonka bean, praline… the list goes on. The only downside of namelaka cream is the need to make it a full day before required, as it needs time to chill thoroughly before use.
For serving in its most light and delicate form, I recommend just a single leaf of gelatine and using whipping cream. An almost mousse-like consistency can be achieved by using 2 leaves of gelatine and double cream, and then whisking it briefly after chilling overnight.
White Chocolate Namelaka Cream
170g white chocolate
1 sheet of leaf gelatine/2 sheets
100ml whole milk
5ml liquid glucose
200ml whipping cream/double cream
- Melt the white chocolate in the microwave or in a bowl over simmering water.
- Put the sheet of gelatine in cold water to bloom.
- Heat the milk and glucose in a pan until almost boiling.
- Add the bloomed gelatine to the milk and stir to dissolve.
- Pour 1/3 of the hot milk mixture onto the melted chocolate and stir to incorporate.
- Add the remaining milk and repeat.
- Add the whipping cream and mix thoroughly.
- Briefly use an immersion blender to ensure mixture is thoroughly amalgamated.
- Cover with cling film and chill for 24 hours before using.
- If using 2 sheets of gelatine and double cream, whisk briefly after chilling before use. Or not. As you like.
For milk chocolate praline: add 75g praline paste when melting the milk chocolate
For flavouring with citrus: Use the zest of 1 fruit in the milk and allow to infuse for 15 minutes once heated. Strain out the zest and reheat before mixing.
For flavouring with Tonka bean: ½ a bean grated on a microplane is plenty. Infuse as above.
For spices: Use whole spices for preference (easer to fish out) and infuse as for the citrus zest.
In case you missed it:
This week on DejaFood.uk: Robert May’s Chicken Pie
A little bit of luxury for you this week. I’m still sticking with the French theme, but it’s a little less obvious than in previous weeks. This week’s recipe is inspired by a newly acquired book which demonstrates that food allergies or intolerances need not signal a lifetime of dull or dismal food.
This is the latest pubication by Philippe Conticini, creating mouthwatering desserts and treats that are both gluten free and dairy free. Although I purchased my copy from the French Amazon site a few months ago, it is now available with just UK shipping charges here, or order through your local bookshop. Alas, it is only available in the original French, but anyone with O-level/GCSE French and a working knowledge of baking will manage easily.
Sidebar: for the digitally inclined, there is a free Translate app that will allow you to photograph text with your phone, which it will then scan and translate on the go. Also, Chef Conticini has many of his recipes freely available on his website here, as well as numerous demonstration videos on his Facebook page here.
The first recipe in the book is for a kind of chocolate nut sponge, and it is filled with a ganache and glazed with a slightly thinned version of the ganache. It is delicious! It is also very hard to believe it is both gluten and lactose free.
I was so impressed with the ganache, I thought it deserved a starring role, so here it is in a very elegant and sophisticated tart. Gluten and dairy free chocolate is available in supermarkets – I found both milk and dark chocolate in Morrisons.
This tart is made up of bits and pieces from different recipes, tweaked to fit in with my overall idea: I like to think of it as the Lego™ approach. The praline paste is Philippe Conticinis, as well as the ganache – I’ve not messed with either. I’ve tweaked the sweet pastry recipe by adding cocoa (reducing one of the flours) to make it chocolate.
I’ve used a long, rectangular tart tin, but any shape will do. Since everything tastes so rich, the tart doesn’t have to be very deep and you could probably stretch the pastry to a 24cm flan tin. Otherwise, use a 20cm flan tin and, exercising your will of iron, cut the slices very thin.
Chocolate Praline Tart
For the praline
NB Because it is a bit of a Faff™, this deliberately makes a LOT of praline. However, it will keep for months in the fridge if necessary. If you really don’t think you’ll use it – I mean, it’s not like it tastes AWESOME or anything – consider making a half batch.
300g of whole raw hazelnuts (with skin)
300g of whole raw almonds (with skin)
400g caster sugar
- Put the sugar and the water in a pan over a low heat until the sugar has dissolved.
- Bring the syrup to a boil and when the temperature reaches 118°C, add the hazelnuts and almonds.
- Stir the nuts in the sugar, making sure that they are thoroughly coated. This movement will also cause the sugar to crystallise. This is fine. Continue stirring to keep the nuts from burning.
- Eventually, the sugar will melt again and turn a deep and warm caramel colour.
- At this point, pour the whole mixture onto baking parchment. Before it cools, pull the nuts apart using a couple of forks, so that they don’t set in a solid lump. This will make processing them easier.
- When the caramelised nuts are cold, break them up either by hand or by battering them with a rolling pin and transfer to a food processor fitted with the cutting blade.
- If you want to use some of the nuts as decoration, as in the photo, set some aside before the mixture becomes paste.
- Process the nuts into a smooth paste using a series of short bursts with the blade. If you keep the blade moving for too long, it will heat up the paste, so short stints are best. For a long time it will seem like you’re just making a racket with the machine, but it will eventually break down into smaller pieces.
- When the mixture is smooth, transfer to an airtight box and store in the fridge.
For the pastry
This recipe uses clarified butter. Before everyone starts shrieking dairy, let me remind you that clarified butter is pure fat, WITHOUT any of the dairy solids. If you’re not convinced, as an alternative you can use Indian ghee or coconut butter.
50g clarified butter
30g icing sugar
30g ground almonds
25g chestnut flour
25g Green & Black’s cocoa powder
50g rice flour
pinch of sea salt
1 large yolk
½ large egg – whisked
- Use a little clarified butter to grease your tin and shake over some cornflour (to help keep the pastry from sticking).
- Put the butter and the dry ingredients into a food processor and blitz until the mixture resembles breadcrumbs.
- Whisk the yolk into the beaten egg and add gradually to the dry ingredients until the mixture comes together. It might not come together in the bowl, only resemble damp crumbs, but it will hold once tipped out and pressed firmly.
- Roll out thinly and use to line your prepared tin. Alternatively, just use the damp crumbs into your tin and press into the sides and base until covered. I opted to roll the pastry and got it impressively thin, but then I found I couldn’t move it across into the tin in one piece, so I just patchworked it together.
- Preheat the oven to 160°C, 140°C Fan.
- Line your pastry with baking parchment and add cooking beads/rice.
- Bake until the pastry is fully cooked (20-30 minutes).
- Set aside to cool. NB Your pastry might crack as it cools. Fear not. Just melt some GF DF chocolate and literally paint over the cracks. And everywhere else if you like. Put the tart shell in the fridge to set. The layer of chocolate will help keep the pastry crisp underneath the rich filling.
For the ganache
170g GF DF dark chocolate
55g GF DF milk chocolate
150ml Soya milk
- Break the chocolate into pieces and melt in a bowl over warm water.
- Heat the milk and slowly add to the melted chocolate, stirring constantly until fully combined.
- Set aside until required.
- Add a layer of praline to the cooled tart shell. How much is entirely up to you. I am a big fan of its rich taste, but then again, a little does go a long way. I spread a 5mm layer which is enough to give the flavour, but doesn’t overpower. If the praline is cold and too stiff to spread, zap it for a few seconds in the microwave to soften.
- Pour the warm ganache over the praline paste and smooth. You can also tap the tin lightly on the work surface to get the ganache to level out.
- Put into the fridge to set. Once set, sprinkle over the finely chopped praline if using.
- If not eating immediately, cover lightly with cling film – try and keep it from touching the ganache – and store in the fridge.
- Allow the tart to come to room temperature before serving.
I love a good cheesecake. I don’t, however, love ALL cheesecakes.
*pauses dramatically for the compulsory gasps of horror*
No, to my mind, if you’re going to elaborate on the indulgent simplicity of flavours such as vanilla or maple syrup, cheesecake needs something sharp to act as a contrast to the richness of the filling.
So I say “Away, foul fiend!” to a whole slew of flavours that, to my mind, shouldn’t be paired with cheesecake, mostly in the chocolate, toffee, Banoffi, caramel, praline range, and “Come to Mama!” to all the tart and sharp fruity flavours. Lemon cheesecake was a long-term favourite, but anything that has a sharpness to it is delicious.
There are two main styles of cheesecake: baked and no-bake. I’ve got several recipes on the blog for various baked cheesecakes but haven’t done a no-bake cheesecake, so here we are.
After a little experimentation, I’ve come up with something that will work for any fruit puree you might have to hand. I’ve used gooseberries, but you could also use this recipe for poached rhubarb, plums, damsons as well as raw fruit purees such as strawberries, raspberries, cherries etc.
Another way you can customise this recipe is by swapping in ingredients that will give a texture that you like. A baked cheesecake is usually rich and dense, whereas no-bake cheesecakes tend to have a lighter texture as they rely on gelatine to hold their shape once set.
The filling for the cheesecake in the photo has been made with equal parts of mascarpone, creme fraiche and double cream mixed with the fruit puree, which makes for a creamy but still light texture. If you prefer a denser consistency, you can substitute cream cheese for the mascarpone or creme fraiche or even both. Quark is a fat-free dairy product, but might take the texture towards a mousse rather than a cheesecake. Nothing wrong with that at all, of course, as long as it’s what you were wanting.
A word or two about gelatine. At the risk of stating the obvious, gelatine renders your dessert off-limits to vegetarians. Whilst this might be your dastardly plan, you can still make this dessert so all can enjoy. Vegetarian gelatine is generally available, but not in the sheet form used in this recipe. You should follow the vege-gel guidelines for blooming and using it in your dessert.
The other thing to bear in mind, whichever form of gelatine you use, is that it’s not very fond of acidity. Using the quantity stated on the pack to set a very sharp, acidic liquid is not going to be as firm as if the liquid is neutral in flavour. You might like the texture, but as a general rule, I would advise using extra gelatine to ensure your dish sets as expected.
For example, the recipe below generated 300ml of gooseberry puree. Normally, 2 sheets of gelatine will set 300ml just fine. I used 4 sheets of gelatine a) because of the sharpness and b) because of the volume of filling into which it was to be mixed. The mixture of creams and cheese is quite stiff when whisked together, but adding the puree slackens the mixture off considerably. Having the extra gelatine in the puree meant that all of the filling set, once it had been folded through.
In contrast, for the gel on the top of the cheesecake, I only used a little extra gelatine, which resulted in a much softer final set.
For leaf gelatine, 1 leaf will set 150ml of liquid. Powdered gelatine and Vege-gel are sold in packets that usually set 1 pint (570ml) of liquid. Weigh the granules and divide by four for an equivalent guideline amount.
Last topic before we get on with the recipe – the biscuit base. You can make this from a range of commercially produced biscuits or make your own. Traditionally the biscuit has been Digestives, but other (British) types include HobNobs, Ginger Nuts, Butter Crinkles, Rich Tea – anything crisp. I’ve even used Doriano crackers (similar to Saltines), which give a deliciously unexpected saltiness as well as crunch.
For this recipe I have chosen to use a crumb of Spekulaas, the traditional Dutch Christmas biscuits. They are definitely crunchy and add a nicely spiced note which complements the gooseberries. Any favourite crisp biscuit can be used, merely bake the dough in its breadcrumb-like state and blitz in a food processor when cooled.
No-Bake Gooseberry Cheesecake
You can use either green or dessert gooseberries for this recipe. Green gooseberries (see photo at the bottom of this post) ripen earliest, and pair very well with elderflowers. You can substitute half the poaching water with elderflower cordial if liked. Dessert gooseberries are sweeter and with a rosy blush which makes for the beautifully coloured topping in the top photo. These quantities makes a large cheesecake, so if that doesn’t suit your needs, consider halving the recipe.
For the base
200g self-raising flour
125g dark muscovado sugar
2 tbs speculaas spice mix – or a mix of cinnamon, nutmeg and ginger, as liked.
1 pinch salt
150g cold unsalted butter
50g unsalted butter – melted.
- Heat oven to 175°C, 150°C Fan.
- Line a baking sheet with parchment. A sheet with a lip will help keep the crumbs contained.
- Put all the ingredients except the melted butter into the bowl of a food processor fitted with the blade and blitz until the mixture looks like breadcrumbs.
- Tip the crumbs onto the baking sheet and spread out evenly.
- Bake for 15 minutes.
- Stir the crumb, breaking up any large pieces and then return to the oven for a further 10 minutes.
- Set aside until cold.
- Pour the cooked crumb into the bowl of a food processor and pulse until the mixture is of an even and uniform crumb.
- Tip the crumb into a bowl and pour over the melted butter.
- Mix thoroughly until the crumb resembles damp sand.
- Press firmly into your chosen tin. I used my rectangular springform tin (28cm x 10 cm) and pressed the crumb up the sides a little to give a little extra support to the filling, but if you’re confident in your gelatine levels, this isn’t necessary (see photo at the bottom of this post). You might like to line your tin with foil or parchment to help remove once set.
- Chill in the fridge until needed.
For the filling
600g fresh or frozen gooseberries, or other sharp fruit
250g mascarpone cheese
250g creme fraiche
250ml double cream
5-6 tbs icing sugar
4 leaves gelatine
- Put the gooseberries and the water into a pan over a very low heat.
- Cover and allow to gently simmer until the fruit is soft. Stir gently from time to time to prevent the fruit from burning (10-15 minutes).
- Pour the fruit mixture through a sieve. Leave to drain. Keep both the liquid and fruit pulp.
- Bloom the gelatine in cold water.
- Sieve the drained fruit to remove the seeds. You will get about 300ml of puree. If you have extra, set it aside and serve as sauce with the cheesecake.
- Put the puree and bloomed gelatine into a saucepan and warm gently until the gelatine is melted. Taste and stir through just enough icing sugar to make it slightly sweet.
- Set aside to cool.
- Put the mascarpone, creme fraiche and double cream into a bowl. Add 3 heaped tablespoons of icing sugar and whip until the mixture is firm. Taste and add more sugar if necessary, but it should only be slightly sweet.
- When the fruit puree has cooled, but is still liquid, fold it into the whipped cheese/cream mixture.
- Taste the mixture to check the sweetness levels and adjust as needed.
- Pour the cheese mixture into the prepared tin. I lined the edges of the tin with acetate which allowed the filling to come up higher than the level of the crust, but this isn’t compulsory.
- Cover lightly with cling film and allow to set in the fridge (2-3 hours).
For the jelly topping
retained juice from cooking the fruit
- Measure the retained juice from cooking the fruit and calculate how much gelatine is required to set it. I set 400ml of sharply-flavoured juice with 3 leaves of sheet gelatine. I like the soft set, but you might prefer something a bit firmer in which case add another gelatine leaf. Stir in enough sugar to sweeten slightly. I prefer to keep the topping quite sharp as it provides a great contrast with the sweet biscuit base and the creamy filling.
- Bloom the required quantity of leaf gelatine in cold water.
- When the cheesecake filling has firmed up, add the gelatine to the juice and warm until the gelatine has melted. Cool slightly, then gently spoon over the cheesecake. Be careful not to pour from a great hight, as you might disturb the surface of the cheese filling and this would make for a cloudy jelly layer.
- Return to the fridge and chill until set, preferably overnight.